Truthful gear
Talent and the right tools bring ideas to life
Chris can solve 99% of all production challenges with this van and its gear. Whether it’s driving to Baton Rouge for a documentary series or on a plane with four or more pelican cases to New York, Chris is safe, secure and ready to go.
Clients often appreciate knowing the specifics of his gear, so feel free to “geek out” over the details.
CAMERAS
(C500 and C70 are Netflix approved cameras)
- Two (2) Canon C500 Mark ii (up to 5.9K camera)
- One (1) Canon C70
- Time code sync with five Tentacle Sync E for cameras, slate, and audio recorders. (Using synced video and audio makes editing in post fast!)
- Two Sachtler flowtech tripods
LEnses
- Zeiss CP.3 15mm/T2.9
- Zeiss CP.3 25mm/T2.1
- Zeiss CP.3 35mm/T2.1
- Zeiss CP.3 50mm/T2.1
- Zeiss CP.3 85mm/T2.1
- Zeiss CP.3 100mm/T2.1
- Zeiss DigiDiopter +2 (macro adapter for the prime lenses)
- Canon 16-35mm f/2.8
- Canon 24-70mm f/2.8
- Canon 70-200mm f/2.8
Audio
- Boom: Four Sennheiser MKH-8060 with MZF-8000 adapter
- Boom: One Sennheiser MKH-8070 with MZF-8000 adapter
- Wireless: Three Sony UWP-D Wireless Bodypacks with Countryman B3 and Sanken COS-11D Lavalier Microphones
- Pocket Audio Recorders: Three Tentacle Sync Track E mics
- Audio Recorder: Sound devices MixPre-6 II
Lighting
- Aputure 600x Pro with Light Dome 5’, Light Dome 35” soft and Lantern 90
- Two lite panels Astra 6x Bi-Color LED Panels
- Two lite panels Astra Soft Bi-Color LED Panels
- Westcott Flex Cine DMX RGBW 1’x1’ LED Panel
- Two fresnel lights – Kinotehnik Practillite 600 Bi-Color LED
Drone
- DJI Mavic 3 Pro with RC Pro remote
- Certified Part 107 pilot
Other
- Dolly: Dana Dolly with 9’ rails
- Dolly: Syrp/Manfrotto Genie II, 3-axis dolly
- Prompter: Telescript International promoter
- Broadcast Field Monitor: Flanders Scientific DM170 17″
- Two 4’x4’ black and white sound dampening blankets
